Born in Puerto Rico and raised in New Mexico, Margarida-Ramírez developed a unique perspective on postcolonial and feminist identity that anchored her work at Parsons. “In my second year,” she recalls, “faculty members Thomas Butter and Ernesto Pujol encouraged me to delve deeper into my family stories and examine what it means to use photographs taken by my great-great-grandmother.” Cutting and embroidering the photographs, she obscures faces and bodies, evoking the impermanence of memory.